While “1923,” “1883” and “Yellowstone” connect, it’s really the landscape and the idea of Western Expansion that holds them together. You don’t need to see all of them to appreciate what Sheridan has done.
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To get to a head-to-head battle, Dom has to get the gang together and figure out how many countries can be covered before the better part of two hours. Meaning? We get cameos from everyone from Charlize Theron to Pete Davidson.
Judy Blume’s coming of age story, “Are You There God? It’s Me, Margaret,” doesn’t shock with sex (or profanity) but addresses how a girl handles change when her parents move from New York to New Jersey.
Strolling around ruins, enjoying meals at great restaurants and taking in the landmarks, “Book Club: The Next Chapter” begs for something more than a jaunt with Jane Fonda, Candice Bergen, Mary Steenburgen and Diane Keaton.
More than anything, “The Covenant” is about honor and loyalty. It interprets both in different ways but demonstrates how important a person’s word really is.
Keanu Reeves reportedly gave stunt men Rolex watches when they wrapped “John Wick: Chapter 4.” Good thing, too. They earned every bit of them.
Nicolas Cage made a dandy vampire in “Vampire’s Kiss.” So what went wrong with “Renfield,” the story of Dracula’s sidekick?
Hugh Grant has become a well-oiled parody in comedies. Thanks to his brilliant work in “Paddington 2,” he knows how to play bad guys without breaking a sweat. In “Dungeons and Dragons: Honor Among Thieves,” he heads down the same path but doesn’t quite goose it the way he could.
Rocky, after all, filled six films and got a second wind with the original “Creed.” Now, a new book has begun
Even a second look can’t make “Moving On” any better.
Gene Hackman, Billy Bob Thornton and Emilio Estevez were hapless coaches in the past.
“80 for Brady” is the film that broke the Oscar winners’ backs. Coming on the heels of too many comedic ventures that went nowhere, it simply gave its stars one more credit and access to health care.
Most M. Night Shyamalan films aren’ t good on second viewing because you know the “secret.” “Knock at the Cabin,” however, holds up.
When you’ve got a title like “Cocaine Bear” you know you’ve got to deliver. Director Elizabeth Banks sort of does. Leaning into every hallmark of cheap 1980s films, she creates a film that’s every bit as outrageous as its name.
Considering the original “Magic Mike” was entertaining, you’d think it wouldn’t be too hard to make a sequel mildly so. Add a few new dances, toss an interesting problem in his direction and count the money. That’s not how “Magic Mike’s Last Dance” rolls.
It’s never too late, we learn from “Living,” to find your place in the world. The film, starring Bill Nighy, is a fascinating, well-written film that approaches life in its own way. It reminds us of Merchant/Ivory films and it lingers just as long.
Hollywood loves to make movies about Hollywood.
Grandma will love “A Man Called Otto.”
If Brendan Fraser wins the Best Actor Oscar for “The Whale,” it won’t be because he wore a fat suit.
Producers had more than two hours to tell Whitney Houston’s story but “I Wanna Dance With Somebody” sidesteps a lot of issues, including the circumstances surrounding her death.
If you remember when going to the movies was a big deal, take a look at “Empire of Light.” Set in England during the 1980s, it recalls a time when ushers, projectionists, concessionaires and ticket sellers created a world of excitement.
Ever wondered what inspired Steven Spielberg to go into filmmaking? “The Fabelmans,” his most autobiographical film to date, tries to explain.
Marvel fans were worried how the Black Panther franchise could continue without the Black Panther.
Even though TV tackled the Emmett Till story last year, there’s something deeply touching in “Till,” the new film that could figure into Tuesday’s Oscar nominations.
If you haven’t had a good cry lately, there’s a touching comedy, “Spoiler Alert,” that will get you thinking differently about end-of-life romances and gay relationships.